不安
恐惧 Fear Angst La paura
影片信息
- 状态：HD中字
- 主演：英格丽·褒曼/马蒂亚斯·维曼/雷娜特·曼哈特/
- 导演：罗伯托·罗西里尼/
- 年份：1954
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：1954-11-05
- 语言：其它
- 更新：2025-04-30 17:48
- 简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
- 119
-
关注公众号观影不迷路
-
扫一扫用手机访问
4.0
网友评分
豆7.0
467次评分
扫一扫用手机访问
剧情简介
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
为你推荐
换一换-
更新HD斋藤飞鸟/樱井海音/齐藤渚/原菜乃华/茅岛水树/志水彩乃/吉田钢太郎/仓科加奈/金子统昭/要润/二宫和也/
-
更新HD阿里卜·祖埃特/Ahmad/Matar/
-
更新HDSofía/Clausen/Santiago/Ferreira/Mercedes/Halfon/沃尔特·雅各布/Pablo/Seijo/Lina/Ziccarello/
-
更新HD阿纳苏亚·森古普塔/
-
更新HD李洙赫/河允庆/
-
更新HDMark/Solari/Claire/Haller/Tatyana/Kot/Martin/Nikolov/Alexander/Abe/Betty/Stolar/Jenna/You/
-
更新第06集Usha Jadhav/萨钦·克德卡/吉里什·库卡尼/Rajeshwari Sachdev/
-
更新HD张艺兴/李珞桉/黄尧/安沺/章若楠/袁文康/艾丽娅/王先贺/
-
更新HD扎卡里·沙德林/Arthur/Aliiev/Alina/Cheban/Daria/Malakhova/Arsenii/Markov/Vladyslav/Mychalchuk/Asia/Pshenychna/Klim/Reva/Yelyzaveta/Tsilyk/亚历山大·亚岑科/Dasha/Zhykharska/
-
更新HD洛奇林·莫罗/塔恩·曼宁/
-
更新HD萨哈·纳斯拉维/穆罕默德·格拉亚/马利克·梅切尔吉/亚当·贝萨/Dea/Liane/雷纳·梅切尔吉/Mariem/Jlassi/Akkari/奈吉·卡纳瓦蒂/海伦·卡萨拉斯/努门·哈姆达/查基卜·罗姆达尼/巴赫里·拉哈里/伊梅内·加祖阿尼/
-
更新HD杨伯文/莉莉/
-
更新HDHiep/Tran/Nghia/Dustin/Nguyen/Dali/Benssalah/
-
更新HDSofía/Allepuz/
-
更新HD瑞秋·齐格勒/安德鲁·伯纳普/盖尔·加朵/安德鲁·巴特·费尔德曼/杰里米·斯威夫特/泰塔斯·伯吉斯/马丁·科勒巴/贾森·克拉维茨/乔治·萨拉萨尔/安迪·格罗特卢鲁申/帕特里克·佩奇/艾米莉亚·福彻/安苏·卡比亚/哈德利·弗雷泽/洛丽娜·安德里亚/乔治·阿普尔比/科林·迈克尔·卡迈克尔/塞缪尔·巴克斯特/吉米·约翰斯顿/杜乔娜·吉夫特/伊德里斯·卡尔博/贾伊·贝托特/
-
更新HD未知
-
更新HDGung ju fuk sau gei Beyond Our Ken/
-
更新HD艾米莉·贝特·理查兹/乔什·卢卡斯/泰勒·珀西/沃尔顿·戈金斯/弗朗西斯卡·伊斯特伍德/玛莉·艾格洛蒲露丝/Kailey/Farmer/卡拉·布欧诺/加文·卡萨莱尼奥/亚当·德莫斯/黛博拉·安·霍尔/凯莉·伯格伦德/达马里斯·刘易斯/马丁·科夫/James/E./Cornette/Dean/Hill/Jett/Jansen/Angela/Bell/Warren/Wood/Paul/Robey/
-
更新HD李康生/巫建和/林幻梦露/陈雪甄/
-
更新HDBella/Kim/罗什迪·泽姆/朴美贤/柳泰浩/Gong/Do-yu/郑庆顺/Minhee/Cho/Hui-hyeon/Ki/Funny/Choi/Inja/Lee/Sungchae/Choi/Nathalie/Levy/Jacques/Bourgaux/Soungboom/Son/Jaehyeon/Lee/Heungjoo/Yang/Elisa/Dusapin/Numyee/Kim/
-
更新HD未知
-
更新HD莉娅·迈伦/西娅·索菲·洛赫·内斯/安妮·达尔·托普/弗洛·法格利/伊萨克·卡尔姆罗斯/马尔特·戈丁格/拉夫·卡尔松/伊萨克·阿斯伯格/Albin/Weidenbladh/Oksana/Czerkasyna/卡翠娜·赫尔曼/亚当·隆格伦/Willy/Ramnek/Petri/塞西莉亚·福斯/Kyrre/Hellum/Richard/Forsgren/Agnieszka/Zulewska/Staffan/Kolhammar/Philip/Lenkowsky/
-
更新HD乔尔·麦克哈尔/维多利亚·嘉丝蒂/吉米·塔特罗/Travis/Bennett/Briana/Price/梅勒妮·海恩斯/Cooper/Sutton/Dan/Davidson/
-
更新HD寇碧·史莫德斯/本·福斯特/加文·德里/亚历桑德拉·卡斯蒂略/乔纳森·沃顿/安德鲁·舍夫/丹·莱特/朱莉娅·迪扬/狗狗内德/Reid/Price/Trina/Corkum/Bob/Mann/Wayne/Burns/Sam/Vigneault/Allison/Wilson-Forbes/Leah/Johnston/William/Kosovic/Gita/Miller/Mark/A./Owen/Alexandra/McDonald/
-
更新HD约翰·亚伯拉罕/萨迪亚·哈提卜/库玛·米什拉/
-
更新HD谢贤/冯宝宝/林雪/李灿森/贾晓晨/颜子菲/顾定轩/何雁诗/林耀声/符家浚/钟雪莹/张凯娸/
-
更新HD刘锡明/叶玉萍/吴启明/
-
更新HD桑伟淋/赵子龙/倪景阳/
-
更新HD欧阳震华/李婉华/郭德信/
-
更新HD陈冠希/欧倩怡/李灿森/龙玥心/